Yamaha Revstar RS620 BRB

RS620 jest inspirowany gitarą Yamaha „Super Flighter" z 1974 roku. Jego design czerpie z kultowego modelu, łącząc w sobie klasykę z indywidualną stylistyką i duchem koncepcji Revstar. Jego korzenie z pewnością sięgają głęboko, nie jest to jednak gitara dla gitarzystów starszych pokoleń.

Scale Length 24 3/4" (628.6mm)
Neck Mahogany
Fingerboard Rosewood
Radius 13 3/4" (350mm)
Construction Set-in
Frets 22, Jumbo
Body Flame Maple top, Mahogany
Tuners Die-cast
Bridge Adjustable Wraparound
Pickups VH5+ ; Vintage output humbucker with satin nickel cover
Pickup Switch 3 position lever
Controls Master Volume, Master Tone (Push-Pull, Dry Switch)

RS620

Alnico V magnet, German silver baseplate and heavy formvar wire for bright, powerful, balanced vintage/modern sound. [8.3k (neck) / 8.8k (bridge) DCR]

Pickups

Designed from the ground up, Revstar features specially wound YGD pickups that are perfectly matched to each guitar. More than 50 prototype pickups were tested featuring different combinations of wire, windings, magnets and base plates. Eventually, a spec was settled on for each guitar model and the Revstar pickup series was born.

Custom Hardware

Inspired by the stripped-down custom Café Racer motorbikes popularized on the streets of London in the 1960s, Revstar's hardware captures the high-performance, individual character of those bikes with a wide range of totally unique, customized hardware. From the unique pickup covers and raw copper scratchplate on the Revstar Professional, to the totally custom floating aluminum tailpiece on the RS502T, each and every component is perfectly calibrated for great performance and unmistakable style—capturing the very essence of a Café Racer.

Comfort Contoured Body

Revstar is a workhorse through and through, but that doesn't mean there has been any compromise on comfort and playability. With every contour designed from the ground up to look and feel great, Revstar's body features a deep belly cut, hidden forearm contour and a newly designed neck joint for outstanding upper fret access. This is a guitar made to be played all night.

IRA(Initial Response Acceleration)

If you've ever played another guitarist's instrument and not been able to get the same sound, it's probably because you are playing a different style than what the guitar is used to. After playing the same guitar for years, the guitar adapts to the guitarist's playing style. It takes time for a new guitar to adapt to your own way of playing. Stress found between parts like finish, woods, body, neck, fingerboard, nut, bridge, etc., must be released before all of the parts can resonate together as an instrument. It takes time and a lot of playing for this to happen.